Mudvayne

 Today in 2002 Mudvayne released the album The End of All Things to Come

Peoria, Illinois Alternative metal, heavy metal, nu metal, progressive metal, groove metal
Status:On Hold
Years Active: 1996-2011
Mudvayne appeared on the worldwide scene in 2000 with one of the most visually striking images in metal and a solid major label debut album in L.D. 50. They were clearly in the heavier end of the nu-metal spectrum, with vocals alternating between hardcore and melodic and forceful downtuned guitars, as well as some subtle but impressive basswork. Two years later they switched pseudonyms and image (going for a sci-fi alien visual, again quite striking) for their next release The End Of All Things To Come. They later dropped the visuals and ended up releasing five albums over the course of their career, ending with the self-titled Mudvayne in 2009.
Epic
Chüd – vocals
Güüg – guitars, vocals
Rü-d – bass guitar
Spüg – drums
1. Silenced (3:01)
2. Trapped in the Wake of a Dream (4:43)
3. Not Falling (4:03)
4. (Per)Version of a Truth (4:41)
5. Mercy, Severity (4:54)
6. World So Cold (5:39)
7. The Patient Mental (4:38)
8. Skrying (5:39)
9. Solve Et Coagula (2:49)
10. Shadow of a Man (3:55)
11. 12:97:24:99 (0:11)
12. The End of All Things to Come (3:00)
13. A Key to Nothing (5:06)
Total Time: 52:23
The End of All Things to Come is the second studio album by the American group Mudvayne. Released on November 19, 2002, the album expanded upon the sound of the band's debut, L.D. 50, with a wider range of riffs, tempos, moods and vocalization.
The band wrote the album's songs in less than a month, drawing inspiration from their self-imposed isolation during the songwriting process, and crafted a more mature sound which drew from jazz and progressive rock influences, as well as elements of death and thrash metal. The album's strong sales led to it being certified Gold by the RIAA in 2003
The album was recorded at Minnesota's Pachyderm Studios during 2002 with producer David Bottrill, who had previously produced albums for groups such as Tool and Silverchair. The band had very little time to make the album, in contrast to the recording of the band's previous album L.D. 50.[4] Drummer Matt McDonough stated "We had all the time in the world to write our first album, but for the second one, we had about a month. I'm amazed how quickly we came up with the material." With the creation of the album's artwork, Mudvayne hoped to create the band's "black album"