Today in 1973 Alice Cooper released the album Muscle of Love
Detroit, Michigan, Rock, hard rock, heavy metal, shock rock, glam metal
Status:Active
Years active 1963–present
Alice Cooper is without a doubt one of the most influential showmen in the history of hard rock. Enough cannot be said about the man -- suffice to say that virtually every band who has ever adopted a horror/theatrical approach, from Marilyn Manson to King Diamond to too many others to mention, they all ultimately are influenced by Alice Cooper. The band formed in Arizona in the late sixties, fronted by one Vincent Furnier, who had already started cultivating his controversial stage persona though he hadn't yet changed his name. They went through several names, among them the Earwigs, the Spiders, and the Nazz, before finally settling on Alice Cooper. While the exact origin of the name Alice Cooper is debatable (there seem to be numerous explanations), it's clear that the band adopted the name before Furnier did, instead of the other way around as one might expect. Finally properly christened, the band rose to worldwide stardom in a few short years, thanks to memorable anthems such as "I'm Eighteen", "Under My Wheels", "Billion Dollar Babies", and of course the anthem to end all anthems, "School's Out", combined with a highly controversial and unpredictable stage show. By 1973, though, the rest of the band had had enough, and thus Alice Cooper the band became Alice Cooper the solo artist, and his larger-than-life persona continued to grow.
Though still eminently recognizeable, by the mid-80's Alice's popularity had dwindled somewhat, with his albums being less memorable (does anyone remember anything about releases such as Dada or Zipper Catches Skin?), though his stage show still went down a storm. His recording output waned in the 90's, not unexpectedly, but just when one might have forgotten what he could do, along came 2000's Brutal Planet, a surprisingly heavy effort that showed Alice successfully combining his classic style with a modern approach. Since then he's gone back to his roots, as his last two albums (The Eyes Of Alice Cooper and Dirty Diamonds) are clearly based in 70's rock. Nowadays he's less the outrageous personality though he's still in the public eye (among other things, he's well documented as a more than competant golfer). His legacy in the rock world is quite secure.
Warner Bros.
Alice Cooper – vocals
Glen Buxton (R.I.P. 1997)– lead guitar
Michael Bruce – rhythm guitar
Dennis Dunaway – bass guitar
Neal Smith – drums
Mick Mashbir – guitar
Dick Wagner – guitar
Bob Dolin – keyboards
Stanley Behrens - "Harmonica on "Working Up A Sweat" no credit was given on the album.
1. Big Apple Dreamin' (Hippo) (5:10)
2. Never Been Sold Before (4:28)
3. Hard Hearted Alice (4:53)
4. Crazy Little Child (5:03)
5. Working Up a Sweat (3:32)
6. Muscle of Love (3:45)
7. Man With the Golden Gun (4:12)
8. Teenage Lament '74 (3:53)
9. Woman Machine (4:32)
Total Time: 39:31
Recorded 1973 at Sunset Sound, Hollywood; Record Plant, New York and The Cooper Mansion, Greenwich, Connecticut
Muscle of Love is the seventh studio album by Alice Cooper, released in 1973. It is the final studio album recorded by the original Alice Cooper band.
Cooper stated in an interview at the time of recording that the album marked a return to a basic rock sound. "It's not complicated in any sense and there’s not a lot of theatricality on it. It's very basic rock & roll throughout." Cooper further explained, "Billion Dollar Babies was a studio effort all the way. So was School's Out. It was just so clean that after a few times of hearing it myself, it had no mystery to it. I really wanted this one to have more guts to it. More balls."
Muscle of Love is the first Alice Cooper album without Bob Ezrin as producer since the pre-stardom Easy Action. The explanation given at the time was that Ezrin was recovering from illness.However, bassist Dennis Dunaway revealed in a 2011 interview that the band split with the producer during an acrimonious rehearsal in which guitarist Michael Bruce stood up to Ezrin and refused to change the arrangement of "Woman Machine". Jack Richardson and Jack Douglas stepped in to share co-production duties.
Dunaway recalled the album sessions as being very difficult. "The problems on that album were that we could tell that everything was being pulled out from underneath us. As hard as we tried to get it back to where it once was, we had that sinking feeling going on. We wanted to rekindle what the band was about but there was just too much exhaustion by then
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