Introduction

  10 Years ago over on facebook The Metal And Punk A,B,C's began first on my own profile page and quickly soon after on a facebook group...

Monday, November 16, 2020

Slayer

 Today in 1984 Slayer released the Live album Live Undead

Huntington Park, Los Angeles County, California Thrash Metal
Status:Active
Years active: 1981-present
No introduction necessary here, as Slayer is universally acknowledged as of the premier thrash bands of all time, with Reign In Blood, their most popular album, universally regarded as not just an absolute thrash classic but one of the best metal albums ever. Cut from the same cloth as Metallica (the two debut albums do have similarities), and arguably just as influential, though clearly the musical directions of the two bands grew apart. The band's style has largely remained unchanged over the years, and so has their popularity, as they are still a huge draw live well into their third decade as an active band.
The lineup has largely stayed the same over the years, but recent events have changed that. Drummer Dave Lombardo has been in and out of the band several times, both officially and unofficially. As of this writing, he is unofficially out of the band, with Jon Dette filling his role on tour. Finally, guitarist Jeff Hanneman contracted a rare flesh-eating disease in 2011, forcing him to step aside from the band. Sadly, he passed away in May 2013 from liver failure. Exodus's Gary Holt has been playing live with the band as a replacement, but he has not been named an official member of the band.
Metal Blade Records
Tom Araya – bass, vocals
Jeff Hanneman – guitar(R.I.P. 2013)
Kerry King – guitar
Dave Lombardo – drums
1. Black Magic (3:58)
2. Die by the Sword (4:04)
3. Captor of Sin (3:33)
4. The Antichrist (3:14)
5. Evil Has No Boundaries (2:59)
6. Show No Mercy (3:03)
7. Aggressive Perfector (2:30)
Recorded & mixed at Track Record Studios.
The album was recorded live with a small number of fans in the studio.
CD version (released in 1987) has eight tracks, the last being the studio version of "Chemical Warfare" (06:02).
Remastered version includes Haunting the Chapel EP:
8. Chemical Warfare (06:02)
9. Captor of Sin (03:29)
10. Haunting the Chapel (03:56)
11. Aggressive Perfector (03:28)
Remastered at Future Disc, November 1993.
The 1987 vinyl (reissue) also has "Chemical Warfare" as a bonus.
Re-released in 2009 on splatter vinyl limited to 1000 copies by Metal Blade Records.
Live Undead is the first live live album by the American thrash metal band Slayer. It was released through Metal Blade Records and recorded in New York City in front of a room of people. It has been questioned by both critics and authors that the audience sound may or may not be faked, however when asked if they were fake, producer Bill Metoyer said, "I don't know if I should tell you."
The EP begins with "Black Magic", with an extended introduction building alongside the audience's yelling. The song is performed faster, heavier, and more confident than its original recording in 1983. When the song is over, lead vocalist Tom Araya says, "They say the pen is mightier than the sword. Well I say fuck the pen!", and the band begins playing "Die By The Sword". The band then run-through "Captor of Sin", "The Antichrist", "Evil Has No Boundaries", and "Show No Mercy". "Aggressive Perfector" is performed with more "power", as described by author Joel McIver, who described the entire track listing as, "a fearsome set, although the rest of the songs don't quite have the visceral power of the opening track. In fact, the Live Undead version of "Black Magic" established a career-long trend of Slayer's live songs being more powerful than the studio versions, with very few exceptions


Satan Jokers

 Today in 1983 Satan Jokers released there debut album Les fils du métal

Paris, Île-de-France, France Heavy Metal
Status:Active
Years active: 1981-1985, 2008-present
Satan Jokers were another of those semi-obscure 80's French bands who came and went without much fanfare. The debut, Les Fils Du Metal, was quite good, one of the best French albums of the era, but they wandered into pop territory on the followup and eventually disappeared after a third release. Drummer Renaud Hantson pursued a successful pop solo career for several years after the demise of the band.
In the fall of 2008 drummer (and now vocalist) Hantson decided to put together a new version of the band, in part in tribute to departed bassist Laurent Bernant. A new album is scheduled for a 2009 release.
Vertigo
Renaud Hantson Vocals, Drums
Laurent Bernat (R.I.P. 2004) Bass
Stéphane Bonneau Guitars
Pierre Guiraud Vocals
Side A
1. Prélude 00:44 instrumental
2. Les fils du métal 04:35
3. Samourai 03:29
4. Tokyo Geisha 04:03
5. Offrande 03:34
6. Derrière les portes closes 04:38
Side B
7. En partance pour l'enfer 03:39
8. Age de confusion 03:34
9. Les forces maléfiques 04:08 instrumental
10. Le Fouet 02:38
11. Quand les héros se meurent 06:35
41:37
The album has been reissued by Axe Killer Records in 1999. The reissue contains 3 additional tracks
1. Sons of Metal
2. Offering
3. Samurai

Kiss

 Today in 1981 Kiss released the album Music from "The Elder"

New York City, New York Hard rock, heavy metal
Status:Active
Years active 1973–present
Rooted in the campy theatrics of Alice Cooper and the sleazy hard rock of glam rockers the New York Dolls, Kiss became a favorite of American teenagers in the '70s. Most kids were infatuated with the look of Kiss, not their music. Decked out in outrageously flamboyant costumes and makeup, the band fashioned a captivating stage show featuring dry ice, smoke bombs, elaborate lighting, blood spitting, and fire breathing that captured the imaginations of thousands of kids. But Kiss' music shouldn't be dismissed -- it was a commercially potent mix of anthemic, fist-pounding hard rock driven by sleek hooks and ballads powered by loud guitars, cloying melodies, and sweeping strings. It was a sound that laid the groundwork for both arena rock and the pop-metal that dominated rock in the late '80s.
Casablanca
Paul Stanley - rhythm guitar, vocals, lead guitar on "Just a Boy", "A World Without Heroes" and "The Oath"
Ace Frehley - lead guitar, bass on "Dark Light" and "The Oath", acoustic guitar on "A World Without Heroes"
Gene Simmons - bass guitar, vocals, rhythm guitar on "Only You"
Eric Carr(R.I.P. 1991) - drums, percussion, backing vocals, acoustic guitar on "Under the Rose"
With
Bob Ezrin - producer, keyboards, bass on "Escape From The Island"
Allan Schwartzberg - drums on "Odyssey" and "I", additional overdub
Tony Powers - keyboards on "Odyssey"
The American Symphony Orchestra
St. Robert's Choir
Original Version[edit]
No. Title Writer(s) Lead vocals Length
1. "The Oath" Paul Stanley, Bob Ezrin Stanley 4:33
2. "Fanfare" Stanley, Ezrin Instrumental 1:00
3. "Just a Boy" Stanley, Ezrin Stanley 2:34
4. "Dark Light" Ace Frehley, Gene Simmons, Anton Fig, Lou Reed Frehley 4:12
5. "Only You" Simmons Simmons, Stanley 4:22
6. "Under the Rose" Simmons, Eric Carr Simmons 4:48
7. "A World Without Heroes" Stanley, Simmons, Ezrin, Reed Simmons 2:39
8. "Mr. Blackwell" Simmons, Reed Simmons 4:49
9. "Escape from the Island" Frehley, Carr, Ezrin Instrumental 2:51
10. "Odyssey" Tony Powers Stanley 5:49
11. "I" Simmons, Ezrin Stanley, Simmons 3:54
12. "Finale" Instrumental 1:04
1997 Remastered Version[edit]
No. Title Writer(s) Lead vocals Length
1. "Fanfare" Paul Stanley, Ezrin Instrumental 1:22
2. "Just a Boy" Stanley, Ezrin Stanley 2:25
3. "Odyssey" Powers Stanley 5:37
4. "Only You" Simmons Simmons, Stanley 4:17
5. "Under the Rose" Simmons, Carr Simmons 4:52
6. "Dark Light" Frehley, Simmons, Fig, Reed Frehley 4:19
7. "A World Without Heroes" Stanley, Simmons, Ezrin, Reed Simmons 2:41
8. "The Oath" Stanley, Ezrin, Powers Stanley 4:32
9. "Mr. Blackwell" Simmons, Reed Simmons 4:53
10. "Escape from the Island" Frehley, Carr, Ezrin Instrumental 2:52
11. "I" Simmons, Ezrin Stanley, Simmons 5:04
Music from "The Elder" is the ninth studio album released by American rock band Kiss.
A substantial departure from their previous output with its epic concept and orchestral elements, album sales were so poor that Kiss did not embark on a supporting tour for the first time in its eight-year history, opting instead to make a handful of promotional appearances. Music from "The Elder" was the first album with drummer Eric Carr and the last album to feature Ace Frehley until their 1996 reunion Alive/Worldwide Tour apart from appearing on the cover of the compilation album Killers and the next album Creatures of the Night and a handful of promotional appearances with the band until 1983.
While "A World Without Heroes" was later performed on the band's 1995 MTV Unplugged appearance, Kiss have largely avoided live performances of songs from the album following initial promotional appearances in 1981

The Kinks

 Today in 1973 The Kinks released then album Preservation Act 1

Muswell Hill, London, England Rock
Status:Active
Years active:1964–1996, 2018–present
Although they weren't as boldly innovative as the Beatles or as popular as the Rolling Stones or the Who, the Kinks were one of the most influential bands of the British Invasion. Like most bands of their era, the Kinks began as an R&B/blues outfit. Within four years, the band had become the most staunchly English of all their contemporaries, drawing heavily from British music hall and traditional pop, as well as incorporating elements of country, folk, and blues.
RCA
Ray Davies - vocals, guitar, harmonica
Dave Davies - guitar, vocals
John Gosling - keyboards
John Dalton - bass
Mick Avory - drums
with:
Alan Holmes - brass
Laurie Brown - brass
John Beecham - brass
Krysia Kocjan, Lee Pavey, Lewis Rich, Pamela Travis, Sue Brown - other singers
All tracks written by Ray Davies.
Side one
No. Title Length
1. "Morning Song" 2:00
2. "Daylight" 3:19
3. "Sweet Lady Genevieve" 3:26
4. "There's a Change in the Weather" 2:59
5. "Where Are They Now?" 3:28
6. "One of the Survivors" 4:31
Side two
No. Title Length
1. "Cricket" 2:56
2. "Money and Corruption/I Am Your Man" 6:01
3. "Here Comes Flash" 2:41
4. "Sitting in the Midday Sun" 3:47
5. "Demolition" 4:07
Preservation: Act 1 is a 1973 concept album by the English rock group the Kinks. It is their eleventh studio album.
Preservation was not well received by critics and sold poorly (peaking on the Billboard 200 at No. 177), though the live performances of the material were much better received. Some more recent reviews of Preservation: Act 1 have been more sympathetic to its ambitions, such as AllMusic's Stephen Thomas Erlewine, who declared "Sweet Lady Genevieve" to be the "real candidate for Davies' forgotten masterpiece".
The 1991 CD reissue on Rhino was a 2-CD set combining Preservation: Act 1 with its 1974 follow-up Preservation: Act 2, but with no bonus tracks other than an extended mix of "Money & Corruption/I Am Your Man", featuring an extra instrumental break.
The 1998 CD reissue of Preservation: Act 1 on Velvel includes the single versions of "Preservation" and "One of the Survivors", neither of which are available on the original vinyl release. The latter briefly charted on the Billboard Pop Singles chart peaking at No. 108

Grand Funk Railroad

 Today in 1970 Grand Funk Railroad released the Live album Live Album

Flint, Michigan Hard rock, blues rock, boogie rock
Status:Active
Years active:1969–1976, 1981–1983, 1996–1998, 2000-present
One of the 1970s' most successful hard rock bands in spite of critical pans and somewhat reluctant radio airplay (at first), Grand Funk Railroad built a devoted fan base with constant touring, a loud, simple take on the blues-rock power trio sound, and strong working-class appeal. The band was formed by Flint, MI, guitarist/songwriter Mark Farner and drummer Don Brewer, both former members of a local band called Terry Knight & the Pack. They recruited former ? & the Mysterians bassist Mel Schacher in 1968, and Knight retired from performing to become their manager, naming the group after Michigan's well-known Grand Trunk Railroad.
Capitol
Mark Farner – guitar, keyboards, vocals
Mel Schacher – bass guitar
Don Brewer – drums, vocals
"Introduction" and "Words of Wisdom" are spoken-word tracks featuring Mark Farner's stage banter with the audience; consequently, original pressings of Live Album did not list author credits for these tracks. All other tracks are by Mark Farner, except where noted.
Side one
"Introduction" – 2:30
"Are You Ready" – 3:34
"Paranoid" – 6:20
"In Need" – 9:50
Side two
"Heartbreaker" – 6:58
"Inside Looking Out" (John Lomax, Alan Lomax, Eric Burdon, Bryan "Chas" Chandler) – 12:22
Side three
"Words of Wisdom" – 0:55
"Mean Mistreater" – 4:40
"Mark Says Alright" (Farner, Don Brewer, Mel Schacher) – 5:10
"T.N.U.C." – 11:45
Side four
"Into the Sun" – 12:10
Live Album is the first live album by American hard rock band Grand Funk Railroad, originally released by Capitol Records on November 16, 1970. The first single released from the album, "Mean Mistreater", was released on November 23 and the second, "Inside Looking Out", was released in January 1971.
The album was originally released as a double album on the LP format. Subsequent reissues of the album on the compact disc format have been both double and single disc sets.

Sunday, November 15, 2020

Punk Flashback

 Todays Punk Flashback The Nosebleeds

Ed Banger and the Nosebleeds was a short-lived punk band formed in Wythenshawe, Manchester, England in 1976. Though the band never recorded an album and released just one single, it is well known in modern rock history for the later successes of its individual members.
On July 20, 1976 fellow Wythenshawe band Slaughter & The Dogs supported the Sex Pistols along with the Buzzcocks at Manchester’s Lesser Free Trade Hall. The Sex Pistols were returning to the Hall after a legendary June 4 concert that served as a catalyst for Manchester’s fledgling music scene.
Garrity worked the July 20 gig as a roadie for Slaughter & the Dogs. When the crowd became violent and he and a friend were injured, someone said, “You’re a right bloody mob aren’t you? Headbanger here and him with a nosebleed,” inspiring Wild Ram’s transformation into Ed Banger and the Nosebleeds.
Vini Reilly, later of The Durutti Column played guitar, Garrity (Ed Banger) sang, Tomanov played drums and Peter Crookes played bass.
The newly-christened group changed their image and sound to concord with the punk movement and released the single “I Ain’t Been to No Music School”/”Fascist Pigs” on Rabid Records. It sold 10,000 copies but failed to launch the band to success.
At the Roxy in London the band played the same two songs over and over. “The audience went absolutely beserk (sic),” Reilly said, “and consequently we were asked to play again and again, because that was what was required.”
The band began to argue over money and fired manager Vinnie Faal. Shortly thereafter, Garrity and Reilly left the band.
Manchester music fan Steven Morrissey, later of The Smiths, replaced Garrity and Billy Duffy, later of Theatre of Hate and The Cult, replaced Reilly.
The new lineup played several gigs, one of which was well reviewed in the New Musical Express. “The Nosebleeds re-surface boasting a Front Man With Charisma, always an advantage,” wrote reviewer Paul Morley. “Lead singer is now minor local legend Steve Morrisson (sic), who, in his own way, is at least aware that rock ‘n’ roll is about magic, and inspiration.”
Morrissey’s compositions with the band included “I Get Nervous” and “(I Think) I’m Ready for the Electric Chair.”
After The Nosebleeds folded, Garrity supported Penetration and The Fall as Ed Banger and His Group Therapy. In 1978 he released a song called “Kinnel Tommy” on Rabid Records, which was rereleased in 1979 by EMI. Also in 1979 he released a single under the moniker Eddi Fiction.
In 1979-80 he sang for Slaughter & the Dogs on the Bite Back album and singles “I’m the One” and “East Side of Town.” He subsequently went solo again and released the 1981 single “I’ve Just Had My Car Nicked” on Spiv Records. In 1983 he released the single “Poor People” on Cloud Nine Records.
In 1991, under the name Sound of the Baskerville , Garrity released a complilation of Nosebleeds, Slaughter & the Dogs and Ed Banger tracks together with new material.
In 2005, vintage 1977 documentary “The Rise And Fall Of The Nosebleeds – Punk Rediscovered,” directed by John Crumpton , premiered in Salford, Manchester.
As of 2006, Garrity is “fronting a ’70s glam band called Edwina’s Rockschool.”

Hardcore Flashback

 Todays Hardcore Flashback Final Fight

Los Angeles’ FINAL FIGHT embody the uplifting passion that defines the new wave of west coast hardcore. With their unique melodic sensibility, and lyrical content ranging from the political to the personal, FINAL FIGHT speak volumes.
Their first full length “Under Attack” (Straight On, 2005) is a true hardcore masterpiece that needs to be heard to be believed.
A split 7” with Life Long Tragedy was also released on Deathwish Inc.
They have most recently come out with their second full length “Half Head, Full Shred” released in 2009 on Panic Records.
FINAL FIGHT played their final show at Chain Reaction (Anaheim, California) on March 5th 2010 alongside fellow Californian Hardcore bands. They will be missed.